Bibliography: Sculpture

Last updated: Thursday, May 14th 2020, 10:21

Dickenson, Chr. (2020). ‘Antique statuary and urban identity in Roman Greece’, in M. Flohr (ed.), Urban Space and Urban History in the Roman World. London: Routledge, 111–139.
Flohr, M. (2019). ‘Artisans and Markets: the Economics of Roman Domestic Decoration’. AJA 123.1: 101–125.
Vetters, M. (2019). ‘Figurines and Sculpture’, in I. Lemos and A. Kotsonas (eds), A Companion to the Archaeology of Early Greece and the Mediterranean. Oxford: Wiley-Blackwell, 539–570.
Claridge, A. (2015). ‘Marble Carving Techniques, Workshops, and Artisans’, in E.A. Friedland, M.G. Sobocinski and E. Gazda (eds), The Oxford Handbook of Roman Sculpture. Oxford: Oxford University Press, 107–123.
Erlich, A. (2015). ‘Terracottas’, in E.A. Friedland, M.G. Sobocinski and E. Gazda (eds), The Oxford Handbook of Roman Sculpture. Oxford: Oxford University Press, 155–172.
Friedland, E.A., M.G. Sobocinski and E. Gazda (2015). The Oxford Handbook of Roman Sculpture. Oxford: Oxford University Press.
Mattusch, C. (2015). ‘Bronzes’, in E.A. Friedland, M.G. Sobocinski and E. Gazda (eds), The Oxford Handbook of Roman Sculpture. Oxford: Oxford University Press, 139–154.
Blackwell, N. (2014). ‘Making the Lion Gate Relief at Mycenae: Tool Marks and Foreign Influence’. AJA 118.3: 451–488.
Carella, A., L. D'Acunto, N. Inserra and C. Serpe (2008). Marmora Pompeiana nel Museo Archeologico Nazionale di Napoli. Studi della Soprintendenza archeologica di Pompei 26. Roma: "L'Erma" di Bretschneider.
Koortbojian, M. (2008). ‘The double Identity of Roman Portrait Statues: Costumes and Their Symbolism at Rome’, in J. Edmondson and A. Keith (eds), Roman dress and the fabrics of Roman culture. Toronto: University of Toronto Press, 71–93.
Stewart, P. (2008). The Social History of Roman Art. Cambridge: Cambridge University Press.
Palagia, O. (2006). Greek sculpture: function, materials, and techniques in the archaic and classical periods. Cambridge: Cambridge University Press.
Palagia, O. (2006). ‘Marble Carving Techniques’, in O. Palagia (ed.), Greek sculpture: function, materials, and techniques in the archaic and classical periods. Cambridge: Cambridge University Press, 243–279.
Zimmer, G. (2004). ‘Les ateliers de fabrication des grands bronzes’, in A. Lehoërff (ed.), L'artisanat métallurgique dans les sociétés anciennes en Méditerranée occidentale. Techniques, lieux et formes de production. Rome: École française de Rome, 341–351.
Ritter, S. (2003). ‘Zur Bildsprache römischer ‚Alltagsszenen’: Die Mahl- und Küchenreliefs am Pfeilergrabmal von Igel’. BJ 202/203: 149–170.
Miniero, P. (2000). Il sacello degli augustali di Miseno. Napoli: Electa.
Bonifacio, R. (1997). Ritratti romani da Pompei. Archaeologia Perusina 14. Roma: Giorgio Bretschneider Editore.
De Caro, S. (1994). Il Museo Archeologico Nazionale di Napoli. Napoli: Electa.
Mathiesen, M. (1993). Sculpture in the Parthian Empire: A Study in Chronology. Aarhus: Aarhus University Press.
Mattusch, C. (1988). Greek Bronze Statuary: From the Beginnings Through the Fifth Century B.C.. Ithaca, NY: Cornell University Press.
Smith, R.R.R. (1988). Hellenistic royal portraits. Oxford monographs on classical archaeology. Oxford: Clarendon Press.
Strong, D. and A. Claridge (1976). ‘Marble Sculpture’, in D. Strong and D. Brown (eds), Roman Crafts. London: Duckworth, 195–209.
Lawrence, A. (1972). Greek and Roman Sculpture. London: Jonathan Cape.