Bibliography: Sculpture
Last updated: Thursday, February 18th 2021, 12:07
| Dickenson, Chr. (2020). ‘Antique statuary and urban identity in Roman Greece’, in M. Flohr (ed.), Urban Space and Urban History in the Roman World. London: Routledge, 111–139. | |||
| Flohr, M. (2019). ‘Artisans and Markets: the Economics of Roman Domestic Decoration’. AJA 123.1: 101–125. |  | ||
| Vetters, M. (2019). ‘Figurines and Sculpture’, in I. Lemos and A. Kotsonas (eds), A Companion to the Archaeology of Early Greece and the Mediterranean. Oxford: Wiley-Blackwell, 539–570. | | ||
| Sinisi, F. (2017). ‘Royal Imagery on Kushan Coins: Local Tradition and Arsacid Influences’. JESHO 60.6: 818–927. | | ||
| Claridge, A. (2015). ‘Marble Carving Techniques, Workshops, and Artisans’, in E.A. Friedland, M.G. Sobocinski and E. Gazda (eds), The Oxford Handbook of Roman Sculpture. Oxford: Oxford University Press, 107–123. | | ||
| Erlich, A. (2015). ‘Terracottas’, in E.A. Friedland, M.G. Sobocinski and E. Gazda (eds), The Oxford Handbook of Roman Sculpture. Oxford: Oxford University Press, 155–172. | | ||
| Friedland, E.A., M.G. Sobocinski and E. Gazda (2015). The Oxford Handbook of Roman Sculpture. Oxford: Oxford University Press. | | ||
| Mattusch, C. (2015). ‘Bronzes’, in E.A. Friedland, M.G. Sobocinski and E. Gazda (eds), The Oxford Handbook of Roman Sculpture. Oxford: Oxford University Press, 139–154. | | ||
| Blackwell, N. (2014). ‘Making the Lion Gate Relief at Mycenae: Tool Marks and Foreign Influence’. AJA 118.3: 451–488. | | ||
| Carella, A., L. D'Acunto, N. Inserra and C. Serpe (2008). Marmora Pompeiana nel Museo Archeologico Nazionale di Napoli. Studi della Soprintendenza archeologica di Pompei 26. Roma: "L'Erma" di Bretschneider. | |||
| Koortbojian, M. (2008). ‘The double Identity of Roman Portrait Statues: Costumes and Their Symbolism at Rome’, in J. Edmondson and A. Keith (eds), Roman dress and the fabrics of Roman culture. Toronto: University of Toronto Press, 71–93. | |||
| Stewart, P. (2008). The Social History of Roman Art. Cambridge: Cambridge University Press. | |||
| Palagia, O. (2006). Greek sculpture: function, materials, and techniques in the archaic and classical periods. Cambridge: Cambridge University Press. | |||
| Palagia, O. (2006). ‘Marble Carving Techniques’, in O. Palagia (ed.), Greek sculpture: function, materials, and techniques in the archaic and classical periods. Cambridge: Cambridge University Press, 243–279. | |||
| Zimmer, G. (2004). ‘Les ateliers de fabrication des grands bronzes’, in A. Lehoërff (ed.), L'artisanat métallurgique dans les sociétés anciennes en Méditerranée occidentale. Techniques, lieux et formes de production. Rome: École française de Rome, 341–351. | |||
| Ritter, S. (2003). ‘Zur Bildsprache römischer Alltagsszenen: Die Mahl- und Küchenreliefs am Pfeilergrabmal von Igel’. BJ 202/203: 149–170. | |||
| Miniero, P. (2000). Il sacello degli augustali di Miseno. Napoli: Electa. | |||
| Bonifacio, R. (1997). Ritratti romani da Pompei. Archaeologia Perusina 14. Roma: Giorgio Bretschneider Editore. |  | ||
| De Caro, S. (1994). Il Museo Archeologico Nazionale di Napoli. Napoli: Electa. | |||
| Mathiesen, M. (1993). Sculpture in the Parthian Empire: A Study in Chronology. Aarhus: Aarhus University Press. | | ||
| Mattusch, C. (1988). Greek Bronze Statuary: From the Beginnings Through the Fifth Century B.C.. Ithaca, NY: Cornell University Press. | |||
| Smith, R.R.R. (1988). Hellenistic royal portraits. Oxford monographs on classical archaeology. Oxford: Clarendon Press. | | ||
| Strong, D. and A. Claridge (1976). ‘Marble Sculpture’, in D. Strong and D. Brown (eds), Roman Crafts. London: Duckworth, 195–209. | |||
| Lawrence, A. (1972). Greek and Roman Sculpture. London: Jonathan Cape. |
